Author: Doug Hall
Page: 4
If a compositional work of music such as a 500-page score was discovered in our current era, that when arranged and performed would be 2.5 hours long and require 30 musicians to perform, you’d assume this was a classical piece for a symphony. Yet Epitaph is a composition by American jazz composer, bassist, bandleader, and […]
New England Conservatory in Boston is recognized as one of the top music schools in the country, and at the forefront of leadership in educating and training musicians of all ages from around the world. NEC’s music students represent more than 40 countries, and per its mission statement, it “cultivates a diverse, dynamic community for […]
Known for his lyrical and relaxed style on the tenor saxophone, exceptional improvisor and seminal influence on his instrument, Lester Young, “The Prez,” was interviewed in a Paris hotel room just two months before he died. In response to a question about big bands like Count Basie’s Orchestra, where Young had become famous, he stated, […]
The telling originality and influence of a great innovator in jazz, based on their instrument, technique, and voicing, is often echoed by the number of outstanding musicians of future generations that advance the established style. The signature thumb-based strumming method, soft tone, and octave-chordal sound of Wes Montgomery’s Gibson is instantly recognizable from the opening […]
Often when a selection of bossa nova jazz is played by Stan Getz, Donald Byrd, or Dizzy Gillespie, it is attributed to them from an American perspective. The 1964 groundbreaking release in the US by Verve Records, Getz/Gilberto, sold over 2 million albums the first year and made Getz an international star. This overwhelming success, […]
In the arena of large jazz orchestras – whether it be Duke Ellington, Count Basie, or Dizzy Gillespie – the choice of an individual musician becomes a critical decision for any bandleader. Ray Brown, legendary acoustic double-bassist, DownBeat Jazz Hall of Fame winner, and peer-less performer of his instrument, was the obvious choice for many […]
As you look at all the seminal legends and stars of jazz that have performed and recorded for over 60 years, there are only a few currently active. An even shorter list, indeed, if you consider the list of performers still alive today who have intersected with jazz leaders from the 1940s and participated in […]
Jazz trumpeter and composer, Randy Brecker, has been at the center of seminal jazz-funk groups with his late brother Michael (on saxophone) through the mid-‘70s and early ‘80s. Brecker has helped shape the sound of jazz, R&B, and rock for more than four decades. Playing both trumpet and flugelhorn, he has performed all over the […]
If ever there were a jazz singer whose musical career could not be separated from the legacy of their own political and social positions, it would be Nina Simone. From early on in her performances and recordings, her establishment and approach as a Black female and individual artist, particularly during the late ‘50s and ‘60s, […]
As one of the greatest crooners and stylists of the Great American Songbook, Tony Bennett has been influenced by and taken vocal impressions from many singular, legendary jazz performers. Bennett’s well-known emotional and physical reaction to hearing the birth of Bebop through Charlie Parker’s rapid-fire saxophone soloing at Birdland one night in the 1950s would […]