Author: Doug Hall
Page: 4
As mentoring becomes a more recognized adjunct to an established career as a jazz musician (or any veteran artist), the impact is clear when insights are shared by mentored musicians. There are a handful of such teachers that carry as much respect for their philosophy of learning an instrument, as their accomplishments as composers. Multi-instrumentalist, […]
Champion: An Opera in Jazz Performed Sunday, May 22 at The Emerson Cutler Majestic Theater Music by Terence Blanchard Libretto by Michael Cristofer Now in its 45th season, Boston Lyric Opera is the largest and longest-lived opera company in New England. Standing away from popular themes, BLO’s programming has remained faithful to the tradition of […]
The music world abounds with references to Philly soul or Philly funk and its heritage of legendary musicians. Philly jazz musicians have also earned such iconic references. But there is one contemporary recording artist, constantly touring with top-shelf talent and held by most jazz musicians as a virtuoso on the Hammond B3 organ, whose roots […]
Experimental jazz guitarist, composer and ensemble bandleader Mary Halvorson has evolved her individual style and pushed an incredibly varied direction in musical expression over the course of numerous projects since 2005. Finding significant critical attention in 2017, 2018, and 2019, by virtue of consecutive wins in DownBeat’s International Critics Poll as Best Guitarist, Halvorson continues […]
If a compositional work of music such as a 500-page score was discovered in our current era, that when arranged and performed would be 2.5 hours long and require 30 musicians to perform, you’d assume this was a classical piece for a symphony. Yet Epitaph is a composition by American jazz composer, bassist, bandleader, and […]
New England Conservatory in Boston is recognized as one of the top music schools in the country, and at the forefront of leadership in educating and training musicians of all ages from around the world. NEC’s music students represent more than 40 countries, and per its mission statement, it “cultivates a diverse, dynamic community for […]
Known for his lyrical and relaxed style on the tenor saxophone, exceptional improvisor and seminal influence on his instrument, Lester Young, “The Prez,” was interviewed in a Paris hotel room just two months before he died. In response to a question about big bands like Count Basie’s Orchestra, where Young had become famous, he stated, […]
The telling originality and influence of a great innovator in jazz, based on their instrument, technique, and voicing, is often echoed by the number of outstanding musicians of future generations that advance the established style. The signature thumb-based strumming method, soft tone, and octave-chordal sound of Wes Montgomery’s Gibson is instantly recognizable from the opening […]
Often when a selection of bossa nova jazz is played by Stan Getz, Donald Byrd, or Dizzy Gillespie, it is attributed to them from an American perspective. The 1964 groundbreaking release in the US by Verve Records, Getz/Gilberto, sold over 2 million albums the first year and made Getz an international star. This overwhelming success, […]
In the arena of large jazz orchestras – whether it be Duke Ellington, Count Basie, or Dizzy Gillespie – the choice of an individual musician becomes a critical decision for any bandleader. Ray Brown, legendary acoustic double-bassist, DownBeat Jazz Hall of Fame winner, and peer-less performer of his instrument, was the obvious choice for many […]