On Air Now

Current track

Title

Artist


Author: Doug Hall

Page: 5

As one of the greatest crooners and stylists of the Great American Songbook, Tony Bennett has been influenced by and taken vocal impressions from many singular, legendary jazz performers. Bennett’s well-known emotional and physical reaction to hearing the birth of Bebop through Charlie Parker’s rapid-fire saxophone soloing at Birdland one night in the 1950s would […]

A sweeping messenger of the widest of musical genre explorations (classical, traditional jazz, post-bop, jazz-rock fusion, funk, electronica, hip-hop, pop, and ambient); jazz pianist, keyboardist, bandleader, and composer Herbie Hancock is true to his own label as “cultural ambassador.” Early in his musical career, Hancock followed a seemingly unbroken trajectory through some of the most […]

When the Afro-Cuban jazz sound traveled to the U.S. in the 1940s, with roots rhythmically based on Cuban popular dance music and a percussion that, in fact, incorporated the earliest sounds of a syncopated beat from ancient Africa, it became a performance vehicle for many Cuban musicians. The initial prominent modern musical force in this […]

In the 1950s, with the advent of “cool jazz” and Miles Davis leading the way with a modal change with Birth of the Cool (1957) Milestones (1958), and later the seminal, legendary recording of Kind of Blue (1959) with its stellar cast of musicians, there were suddenly jazz recordings that became million-sellers. Along with Kind […]

If you happened to be on the Williamsburg Bridge anytime from the summer of 1959 through roughly the autumn of 1961, you would have been privileged to hear the sound of a true artist seeking to find new directions and an inner voice on his instrument. Already famous and successful, with constant performing and recording, […]

If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one piece – Thelonious Monk’s individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of […]