Author: Doug Hall

When the Afro-Cuban jazz sound traveled to the U.S. in the 1940s, with roots rhythmically based on Cuban popular dance music and a percussion that, in fact, incorporated the earliest sounds of a syncopated beat from ancient Africa, it became a performance vehicle for many Cuban musicians. The initial prominent modern musical force in this […]

In the 1950s, with the advent of “cool jazz” and Miles Davis leading the way with a modal change with Birth of the Cool (1957) Milestones (1958), and later the seminal, legendary recording of Kind of Blue (1959) with its stellar cast of musicians, there were suddenly jazz recordings that became million-sellers. Along with Kind […]

If you happened to be on the Williamsburg Bridge anytime from the summer of 1959 through roughly the autumn of 1961, you would have been privileged to hear the sound of a true artist seeking to find new directions and an inner voice on his instrument. Already famous and successful, with constant performing and recording, […]

If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one piece – Thelonious Monk’s individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of […]